click on a date to see all the day's entries
About TitusOneNineOld Titusonenine site (Jan04-May07)
Kendall's e-mail (replace -at- with @)
"Elves" e-mail (blog admin)
A free floating commentary on culture, politics, economics, and religion based on a passionate commitment to the truth and a desire graciously to refute that which is contrary to it….
"He must hold firm to the sure word as taught, so that he may be able to give instruction in sound doctrine and also to confute those who contradict it."
--Titus 1:9, Revised Standard Version
Blog Tips & Info
Info to help you learn your way around the new blog, and posts where you can report problems or offer suggestionsMobile-friendly view (blog headlines): Click Here
Print-friendly view of all articles: Click Here
Recent Comments Page:
Registration & Login Help
Blog Tips Series
The above list is limited to "parent" categories. To see the entire category index and select specific sub-categories, click on "Full Category Index"
Full Category Index
Anglican / Episcopal RSS Feed
©2014 Kendall S. Harmon. All rights reserved.
TitusOneNine Links Page
I. Anglican / Episcopal Resources & Links
1. Important Documents
documents are in chronological order, most recent first
Also, don't miss:
2. Websites & Blogs
A. Official websites
B. Anglican / Episcopal News
C. Anglican / Episcopal Blogs
By no means exhaustive. Let us know what we've missed
Previous versions of Titusonenine:
NORTH AMERICAN ANGLICANS:
INTERNATIONAL ANGLICAN BLOGS & BLOGGERS
BLOGGING BISHOPS (US & Overseas)
II. General Resources & Links
YET more links coming soon...! including Non-Anglican links
The roof of the Louvre's new Islamic art department undulates like golden fabric gently lifted by the wind—a feat, considering it is made of steel and glass and weighs almost 150 tons. Filling a neoclassical courtyard, the addition that opened last fall tripled the space devoted to Islamic art and more than doubled the number of objects on view to almost 3,000, or about a sixth of the museum's works from the Islamic world.
In contrast to the spectacular architecture by Mario Bellini and Rudy Ricciotti, the installation is understated, an elegant version of open-storage: objects grouped in long glass cases; larger pieces—carved steles, inlaid doors, stone latticed windows—clustered on low pedestals; and architectural fragments affixed to partitions. The flooring is dark, the passageways plain and the lighting democratic, giving shards of earthenware as much attention as finely woven rugs from Iran, a jewel-encrusted dagger from Mughal India or 14th-century enameled blown-glass lamps from Egypt and Syria that are about as close to numinous as objects can get.
Read it all.
Next entry (above): Unaffiliated TEC Group in South Carolina Still not Complying with Court Order
Previous entry (below): Local paper—Judge issues restraining order against Episcopal Church
Return to blog homepage
Return to Mobile view (headlines)